| 1. | A survey of aesthetic aspects in tao yuan - ming ' s poems
陶诗的美学思想概观 |
| 2. | Aesthetic aspects of truth and methods
论真理的主观性 |
| 3. | On aesthetic aspects in wang zeng - qi ' s quot; customary painting quot; novels
汪曾祺童年经验对小说创作的影响 |
| 4. | An industrial design is the ornamental or aesthetic aspect of an article
工业设计是一件物品的装饰或美学层面。 |
| 5. | Public awareness of the environment has created a surge of interest in home gardening and urban horticulture and has led to the increased use of landscaping to modify the functional and aesthetic aspects of the surroundings
公众对环境的认识引发了人们对家庭园艺和城市园艺的极大兴趣，使得人们越来越多地利用绿化从功能和美观上改善环境。 |
| 6. | The " grandeur and beauty " in si kong - tu ' s poetic styles is characterized by three aesthetic aspects ; the aesthetic subjects have grand spiritual quality , great and heroic vision and impassioned emotional trait ; the aesthetic realm has the feature of " greatness and firmness " ; the subject is harmoniously blended with the objects
摘要司空图《诗品》中的“雄浑美”有三个方面的审美特征：审美主体具有雄健浑厚的精神品格、恢弘豪壮的精神气魄和激烈高昂的感情特色；审美境界具有“至大至刚”的审美特征；心物关系上，具有物我同构、神与物游、物大我亦大的特征。 |
| 7. | In order to inquire into this relationship , in the first chapter , author , on the basis of the cognitive theory , analyzes the relationship between works of art and the architectural environment from the philosophical aspect ; in the second chapter , author discusses the relationship from the aesthetic aspect
为了探讨它们之间的这种关系，本文在第一章，以认知理论作为研究的基础，从哲学的高度分析了艺术品与建筑环境的关系；第二章，从美学方面来探讨艺术品与建筑环境的关系。 |
| 8. | Under the conditions of visualization , something should be done to construct our aesthetic culture . firstly , we must be aware of and criticize the counter - aesthetic aspect of visualization communication and try to improve the aesthetic quality of disseminator and acceptor . further more , we need combine the convergence of media technology with the integrating of aesthetic culture to develop new information communication in the future , in order to go beyond the visual communication
视觉化传播环境中的审美文化建设，首先要对视觉化传播本身进行必要的审美提升，认识、批评其反审美的一面，提高传媒从业者和受众的审美素质；其次，在未来信息传播方式的建构中，要将媒介技术的汇流与审美文化的整合有机结合起来，实现对视觉化传播更高层次的超越。 |
